ThThe “Scarlet Seal” feature borrowed conventions from popular fictional
Chinese characters of the day such as Charlie Chan, except that the lead character
was Caucasian. The Seal’s adversary, Manchu Sing, from Smash #18 is also a
ringer for Fu Manchu. The Scarlet Seal was depicted with pale yellow skin,
a common convention for Asian characters in comics of the time. This feature
sported great artwork, but the text slipped through “Quality control.” Early
features have punctuation problems that require a double take. The alter ego
“Barry Moore” is a play on the famous screen actor family, the Barrymores.
Before fighting crime, Barry Moore was a top character actor in the movies.
After finishing the film Oriental Horror, Moore went to work for his father,
Capt. Pat Moore, in the police department. Barry quickly took to solving crimes
disguised as a Chinese-American called the Scarlet Seal, who always left a
red circular stamp upon his adversaries. In the beginning, Moore thought nothing
of hopping out of a cab and entering through the front door of his secret lab
(a fake store front). (Smash #16)
Manning de Villeneuve Lee’s byline appears only on the Scarlet Seal’s
very first adventure. Lee was an accomplished fine artist and book illustrator
who specialized in historical subjects—which showed in the fine rendering of
his figures in Smash #16. Afterward, the Grand Comics Database falsely credits
the feature to Harry Francis Campbell. The art does not resemble Campbell’s.
The features were signed “Duane Byrd Monroe,” a pen name for which no references
can be found.